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Unavailable for purchase. Continue shopping Checkout Continue shopping. His early works reflect the influence of Symbolism, his novels and journals contain a somewhat introverted and at times tortured reflection on the nature of humanity, on religion and on sexuality, and his output as a whole is marked by its confessional tone and its constant questioning of literary and social conventions. He won the Nobel Prize for literature in Writer, best known as novelist, although he also wrote poems and plays.

Dramatist in the classical school of the interwar period, particularly associated with Louis Jouvet. A dramatist of ideas, he wrote intense and linguistically sophisticated comedies incorporating serious political debates, although his reputation has become somewhat tarnished due to an association with rather dated preciosity.


Although many of them explore a sense of fatality, and he was a perceptive critic of Racinian tragedy, he is inclined to challenge blind fatalism in his characters rather than conniving with their sense of helplessness. Giraudoux also wrote novels and worked as a diplomat and civil servant.

Brothers whose strongly Naturalist literary work was published under their joint names.

After a number of youthful attempts at drama and vaudeville, they concentrated mainly on fiction, social history and art criticism. In , Edmond tried in vain to persuade Sarah Bernhardt to appear in his adaptation of his novel La Faustin, which is about an actress. He was also an operatic librettist and published a two-volume journal. Painter and illustrator whose use of the human body as an art object makes his work a point of intersection between art, dance and drama.

French operatic composer, conductor and church organist. After World War II, the theater also staged detective thrillers and science fiction dramas until it closed in His early works were judged too ornate by Paris audiences, so like Jean-Baptiste Lully in the previous century he imitated the prosody of French classical acting to combine more effectively Italianate melody with French diction. Poet and dramatist, although more distinguished in his own day as a medical doctor.

As a convert to Protestantism, he spent much of his life in exile. Poet and dramatist. His name first appears in legal documents as leader of a troupe of actors in Paris in He also used the stage name La Fleur, probably to distinguish his work in more serious genres from his principal reputation as a farceur. From , he was closely associated with Gaultier-Garguille and Turlupin, and this trio dominated the Paris stage until Theater building and acting company in Paris.

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Actor, a member of the Parisian Marais company from about Although he signed a fresh fiveyear contract with Bellerose in , he broke it to pursue a medical career. Son of Lucien Guitry, and an even more famous boulevard and later film actor than his father. Theater building and company in Paris, founded in , and a major center for social drama under the Realist director Lemoine-Montigny during the Second Empire.

Historical Dictionary of French Theater

She had previously performed in both Algiers and Cairo. She obtained a minor reputation as a singer in operetta before going on to make her name in social dramas such as those by Georges Ohnet and an adaptation of Sapho by the popular Realist novelist Alphonse Daudet — Inspired by Jean-Paul Sartre and Bertolt Brecht, he sought to use theater as a medium for debate and social change and acknowledged also the influence of the verbal dexterity of Jacques Audiberti. Prolific dramatist, librettist and author of vaudevilles, mostly in collaboration with Henri Meilhac.

Prolific playwright who furnished the staple repertoire of Paris theater in the early 17th century. The first author to make writing plays in French a professional career, he wrote in a variety of genres—tragedy, tragicomedy, pastorale and comedy—all characterized by irregularity and coarseness and using either mythological or romantic subjects.

There is some evidence that he may also have been an actor. His resistance to the imposition of formal rules for regular tragedy was marked by his continuing depiction of violence, his use of trivial and nonstandard vocabulary, and his mixing of genres; he defended these practices in his polemical preface to Le Ravissement de Proserpine The Abduction of Persephone. Historian and poet who wrote a small number of unsuccessful tragedies and comedies.

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The play was almost designed to provoke conservative elements in the audience, with unconventional metrical features in the verse, undignified behavior from regal characters, extravagant sets and a systematic undermining of the unities. The resulting controversy triggered the bataille de Hernani.

Rare Earth Get Ready Long Version 1970

The resulting controversy probably did little to change the minds or tastes of either party but ensured the ongoing interest of the public in new drama. Dramatist, novelist, professional diplomat and journalist. French term for a ham actor or mountebank. Swiss composer, brought up in Le Havre and largely resident in Paris. A system of social conventions, based on reason, good taste and compromise, that dominated polite society in 17th-century France and had a significant influence on what was considered acceptable in theater.

Impresario, stage and film actor and stage director. Although some alterations to the exterior of the building were authorized in , financial difficulties prevented any major improvements to the auditorium. Renovation and modernization of the building eventually took place in , using the recently refurbished Marais as a model. The theater was directed from until by Marcel Pinard? Romantic poet, novelist and dramatist whose work dominated 19th-century France.

The invention on the spot, properly of text, but by extension of gesture, facial expression or other action. Techniques of improvisation are very widely used in the training of both actors and directors, and the advance preparation of almost all performances will involve experiments in which actors improvise delivery and action and may suggest enhancements to a given text. In French theater in particular, the widespread use of rhyming verse in serious plays, and the slickness of timing associated with the comic tradition, make most productions reliant on predictable and well-rehearsed effects.

Leading exponent of Absurd Theater. Romanian by birth, with a French mother, he was largely educated in France although this process was interrupted by World War I and by the divorce of his parents in and wrote consistently in French. He settled definitively in France in and was naturalized after the war. His humor, with its celebration of the irrational, and the nightmarish quality of his scenarios, often recalls Surrealism.


He has in this way put popular music at the disposal of officialdom for public events such as the opening of the Winter Olympics and the centenary of the Eiffel Tower. Innovative dramatist whose work pushed to an extreme the Symbolist tendency to dehumanize character and who is seen as a forerunner of Surrealism. Jarry also wrote science fiction.

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Monsieur Orgon wishes his daughter Silvia to marry Dorante but indulgently respects her desire to get to know the young man before entering into a firm commitment. Silvia accordingly changes positions with her maidservant Lisette in order to observe her suitor. This quadruple disguise leads to a series of comic scenes in which the real servants relish their ability to seduce their supposed masters and the real masters are astounded by the sensitivity of the supposed servants.