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Points for the stunt-fall and the creepy use of an aquarium. Demerits for pretty much everything else. Then the guy in the not-so-great chimp outfit and worst-guest-star-ever Lance " Jaws: The Revenge " Guest show up. This episode is a dog. Walter Skinner's insistence to investigate a monster lurking in a picture-perfect suburban neighborhood. But this plot is done funnier and scarier in Season 6's "Arcadia. Reyes' connection to the case may be more personal than she realizes, though Annabeth Gish has much stronger showcases than this rather tepid, if still quite gory installment.

Mulder and Scully nose around, uncovering a false prophet with a prosthetic leg, a cow that unwittingly flies through the air nearly crushing Mulder in the process , and a tale of unrequited love revolving around Victoria Jackson?!? A weird, not very successful attempt by the series at romantic comedy. Mulder and Scully are mere bystanders in this goofy installment, which is notable mainly for an early appearance by Shia LaBeouf. He should have showed this as part of allmymovies? While on the operating table, the spirit of the violent criminal he was pursuing enters his body. Anderson tries to lend some genuine pathos to the proceedings, though mostly for naught.

Sadly, the master of horror came up with a dopey -- and reportedly heavily rewritten -- killer china-doll plot. Fortunately, it's leavened by some great Chris Carter-penned cell phone banter between Scully vacationing in King's beloved state of Maine and Mulder restless back in the home office.

Duchovny seems uniquely unengaged in this episode; even the usually welcome presence of Season 1 informant Deep Throat Jerry Hardin feels shoehorned in. Both old and new agents are on hand, and mostly well-utilized, though the antagonist -- a literal burning man who may be the pure manifestation of evil -- is middling. This episode, heavy on atmosphere and little else, was the first written by John Shiban, an X-Files mainstay who endured the most slings and arrows from the fandom -- sometimes fairly as in this case , sometimes not.

The Jersey Devil plot, however, is the least-interesting element of this early, Chris Carter-authored episode, memorable for a hilarious depiction of Mulder's porn obsession and a rare peek into Scully's personal life.

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The scene in which a potential beau asks Scully to go see Cirque du Soleil is scarier than most of the monsters encountered by our intrepid agents. In the course of their investigation, Mulder and Scully determine the man can walk through walls, and is looking for the son he's never met. Miami Vice alum John Diehl is very good as the adversary in what is an otherwise pedestrian episode. Earl Brown is released due to new DNA evidence that proves his innocence.


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The real culprit, it turns out, is the man's Hyde-like doppelganger. There's little to marvel at in this episode, though a subplot involving Mulder's visions of his missing sister Samantha hits an emotive sweet spot. The creep factor is high and the underappreciated character actor Daniel Benzali gives great glower as the center's corrupt commander. But, contra the episode's title, the end result feels pretty stale. Murders ensue, Mulder and Scully investigate, and the resulting episode is mainly a demo reel for some cool Matrix -esque bullet-time effects.

Wade Andrew Williams is excellent as the tragic antagonist, though Scully and Doggett's involvement feels mostly incidental. Mulder and Scully take the case, though the monster they're chasing isn't half as interesting as the presentation of the Native American supporting cast and their customs. Twin Peaks deputy Michael Horse is on hand to guide the agents and there's a beautiful sequence that details a crematory burial ritual.

But the execution is only skin-deep. It's not great, overall, but is better than its reputation suggests for how it attempts to use a telenovela-esque framework to explore the plight of migrant workers in the United States.

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Future Breaking Bad antagonist Raymond Cruz is among the supporting cast. Then, a further flashback to the s details the adventures of the younger Dales Fredric Lane as he investigates one of the first X-Files and comes face to face with both Roy Cohn and J. Edgar Hoover.

A perfectly fine episode that tends to be hated for so little Mulder and absolutely no Scully Anderson was filming her final scenes for the first X-Files movie at the time. Some Romanian ritualists known as The Calusari think so, too. X-Files trivia mavens take note: this is the first appearance of Mulder's bespectacled science informant Chuck Burk Bill Dow. The antagonist is once again the cagey Robert Patrick Modell Robert Wisden , who can force his will onto others. The soundstage replica of the underground train station made this one of Season 8's most expensive, if not especially formidable episodes.

But "Kaddish" is still worth a watch for the supernatural love story at its center -- between a tender Hasidic woman and her deceased husband, who rises from the grave as a vengeful golem.

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Secret Agent X: The Complete Series, Volume 9

Agents Scully and Doggett investigate, debating whether there's a supernatural explanation. The main story is by the numbers, and it's an excellent showcase for Robert Patrick's blue-collar stewing. A so-so Monster-of-the-Week episode enhanced by the sight of our agents playing house; Mulder's reaction to Scully's mud beauty mask is particularly hilarious.

The parts don't quite add up to a cohesive whole, but there's mood to spare in this episode, and Smith is expectedly terrific. This laid-back episode is primarily a showcase for the great Lili Taylor, who lends a natural resilience and empathy to her sightless character. The premise, Mulder entering a VR simulator to stop a buxom assassin gone rogue, is enjoyable until a climax featuring atrocious effects and smug moralizing.

Mulder and Scully's investigation leads them to an underground gambling ring connected to a ghost cult. Are they real or imaginary? A solid episode that showcases the other pair of X-Files agents very well, along with several memorably cringe-inducing gore effects to boot. It involves a soul eater who devours illnesses Despite the lack of Gillian Anderson, this is a nicely intimate installment. This visually stunning episode about no joke a horny Amish alien who can change genders in the blink of an eye was an effective calling card for director Rob Bowman, who would go on to helm many of the series' best installments, as well as the movie, The X-Files: Fight the Future.

An unabashedly emotional episode, sometimes to a fault. The ambition is still staggering. Gilligan's idiosyncratic perspective is very evident throughout, though his voice wouldn't be fully formed until his next episode, Season 3's magnificent "Pusher. Chris Carter's second directorial effort is drenched in atmosphere, which takes precedence over the rote vengeance plot. Walsh is outstanding. The narrative is too convoluted for its own good, but the cast -- Anderson especially -- approaches things with such conviction that you can't help but be carried along.

This is also the first appearance of the ominous "Toothpick Man," played by Alan Dale. Even as the story devours itself with nonsensical mentions of alien super soldiers and fateful prophecies, the scale and spectacle hit all-time highs. While the lady agents stay at home, the men travel out to an ocean oil rig that is harvesting the mysterious black oil that is essential to the alien race's plans to colonize Earth. It's ridiculous the slo-mo explosion climax would fit better in a Die Hard movie , but still lots of fun.

In the course of their investigation, Mulder and Scully discover he is actually a time-traveller out to prevent his younger self from inventing time travel in the first place. Got that? A dizzying, yet consummately entertaining installment.


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That's essentially the plot of this standalone episode, which becomes more potent when the story dovetails with Scully's increasingly dire cancer diagnosis. But that's exactly what happens when Mulder's old flame Phoebe Green Amanda Pays shows up with a case involving a man who manipulates fire to his evil will. Mark Sheppard is delightfully hammy as the pyrotechnic villain. There are some terrifically arresting images e.


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This lesser Monster-of-the-Week episode is noteworthy mainly for its two lead guest stars: Giovanni Ribisi and a pre-stardom Jack Black. But Mulder and Scully discover his intentions are not quite so devilish. Campbell is, expectedly, a lot of fun, though the episode veers too often into fire-and-brimstone camp, as in two scenes scored to an oh-so-'90s needle-drop: Garbage's "Only Happy When It Rains. A lot of fun derring-do ensues, though it's actually a few throwaway scenes featuring an atypically flirtatious Scully vamping her way through a casino that entertain most.

Mulder and Scully look into a case involving rancorous tree spirits with piercing red eyes. There are plenty of scares, but the episode's main attraction is an extended, fireside conversation between the agents that climaxes with Scully singing a hilariously off-key rendition of Three Dog Night's "Joy to the World. This also features my vote for best line reading in the series: Richard Beymer's demonic physician, having psychically transported a bunch of scalpels into a victim's stomach, hisses, "I hope those instruments were properly sterilized!

As with many of the later mytharc episodes, it compels despite its impenetrability and total lack of Mulder, who would not appear again until the series finale. Character allegiances shift James Pickens Jr. A strange installment whose parts compel even if they don't quite add up. It's a gripping murder mystery very well directed by series vet Rob Bowman, and featuring the first appearance of actor Terry O'Quinn in a Chris Carter series.

Pileggi more than holds his own as a lead, even if the attempts to connect his story to the show's larger mythology are tenuous at best. Davis to save the cancer-stricken Agent Scully's life. It's great fun watching Pileggi play both sides against the middle. Isn't the more progressive priest up the road the better choice?

Not necessarily, and though the story trades in some easy ironies, its suggestion that the fire-and-brimstone perspective has its applications is provocative in the extreme. A solid introduction to the series' four, sun-dappled LA seasons. Barry , to figure out what's going on. A good mythology episode that builds to a delicious final reveal when Skinner's foe emerges from the shadows.

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Still, Mulder and Scully's argument over who gets to drive the car is particularly priceless. And yes, that is young Ryan Reynolds as the girls' first victim. Though the changing of the guard is bittersweet, debuting director Frank Spotnitz who also wrote the episode adds some levity via the fandom-inspired character of Leyla Harrison Jolie Jenkins , a green agent who knows the intimate details of each X-Files case.

Mostly it's a lighthearted lark, until a controversially tragic ending that divides the show's fans to this day. As a Millennium story, it's not terribly satisfying; as an X-Files episode it's better than average, and particularly memorable for the intimate moment Mulder and Scully share after the ball drops in Times Square. Chad Donella brilliantly plays the tragic antihero, a black-eyed mutant who needs to eat brains to survive, though he longs to be better than his instincts.

It's up to Mulder and Scully mostly Mulder, since Anderson's workload was reduced to accommodate her pregnancy to figure out what's going on.