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In "Near of Kin" the protagonist discovers a taboo relationship in her family as she goes through her mother's things after her death.

In , Butler published the fourth book of the Patternist series, Wild Seed , whose narrative became the series' origin story. Set in Africa and America during the 17th century, Wild Seed traces the struggle between the four-thousand-year-old parapsychological vampire Doro and his "wild" child and bride, the three-hundred-year-old shapeshifter and healer Anyanwu. Doro, who has bred psionic children for centuries, deceives Anyanwu into becoming one of his breeders, but she eventually escapes and uses her gifts to create communities that rival Doro's.

When Doro finally tracks her down, Anyanwu, tired by decades of escaping or fighting Doro, decides to commit suicide, forcing him to admit his need for her. In , Butler published "Speech Sounds", a story set in a post-apocalyptic Los Angeles where a pandemic has caused most humans to lose their ability to read, speak, or write.

For many, this impairment is accompanied by uncontrollable feelings of jealousy, resentment, and rage.

A Cat Caught a Bird

In , Butler released the last book of the Patternmaster series, Clay's Ark. Set in the Mojave Desert , it focuses on a colony of humans infected by an extraterrestrial microorganism brought to Earth by the one surviving astronaut of the spaceship Clay's Ark. As the microorganism compels them to spread it, they kidnap ordinary people to infect them and, in the case of women, give birth to the mutant, sphinx -like children who will be the first members of the Clayark race. Butler followed Clay's Ark with the critically acclaimed short story "Bloodchild" Set on an alien planet, it depicts the complex relationship between human refugees and the insect-like aliens who keep them in a preserve to protect them, but also to use them as hosts for breeding their young.

Three years later, Butler published Dawn , the first installment of what would become known as the Xenogenesis trilogy. The series examines the theme of alienation by creating situations in which humans are forced to coexist with other species to survive and extends Butler's recurring exploration of genetically-altered, hybrid individuals and communities.

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Saved by the Oankali aliens, the human survivors must combine their DNA with an ooloi, the Oankali's third sex, in order to create a new race that eliminates a self-destructive flaw in humans—their aggressive hierarchical tendencies. Adulthood Rites and Imago the second and the third books in the Xenogenesis trilogy, focus on the predatory and prideful tendencies that affect human evolution, as humans now revolt against Lilith's Oankali-engineered progeny.

Set thirty years after humanity's return to Earth, Adulthood Rites centers on the kidnapping of Lilith's part-human, part alien child, Akin, by a human-only group who are against the Oankali. Akin learns about both aspects of his identity through his life with the humans as well as the Akjai. The Oankali-only group becomes their mediator, and ultimately creates a human-only colony in Mars. In the mids, Butler published two novels later designated as the Parable or Earthseed series.

The books depict the struggle of the Earthseed community to survive the socioeconomic and political collapse of 21st-century America due to poor environmental stewardship, corporate greed, and the growing gap between the wealthy and the poor. The first book in the series, Parable of the Sower , introduces the fifteen-year-old protagonist, Lauren Oya Olamina, and is set in a dystopian California in the s. Lauren, who suffers from a syndrome causing her to literally feel any physical pain she witnesses, struggles with the religious beliefs and physical isolation of her hometown Robledo.

She forms a new belief system, Earthseed, which posits a future for the human race on other planets. When Robledo is destroyed and Lauren's family and neighbors killed, she and two other survivors flee north. Recruiting members of varying social backgrounds along the way, Lauren relocates her new group to Northern California, naming her new community Acorn.

Her follow-up novel, Parable of the Talents , is set sometime after Lauren's death and is told through the excerpts of Lauren's journals as framed by the commentary of her estranged daughter, Larkin. After several years of writer's block, Butler published the short stories "Amnesty" and "The Book of Martha" , and her second standalone novel, Fledgling Both short stories focus on how impossible conditions force an ordinary woman to make a distressing choice.

In "The Book of Martha", God asks a middle-aged African-American novelist to make one important change to fix humanity's destructive ways. Martha's choice—to make humans have vivid and satisfying dreams—means that she will no longer be able to do what she loves, writing fiction. Butler's last publication during her lifetime was Fledgling , a novel exploring the culture of a vampire community living in mutualistic symbiosis with humans.

The only survivor of a vicious attack on her families that left her an amnesiac, she must seek justice for her dead, build a new family, and relearn how to be Ina. During her last years, Butler struggled with writer's block and depression, partly caused by the side effects of medication for high blood pressure. Butler died outside of her home in Lake Forest Park, Washington , on February 24, at the age of Another suggestion, backed by Locus magazine, is that a stroke caused the fall and hence the head injuries.

Butler maintained a longstanding relationship with the Huntington Library and bequeathed her papers including manuscripts, correspondence, school papers, notebooks, and photographs to the library in her will. In multiple interviews and essays, Butler explained her view of humanity as inherently flawed by an innate tendency towards hierarchical thinking which leads to intolerance, violence and, if not checked, the ultimate destruction of our species. Pfeiffer notes "[i]n one sense [Butler's] fables are trials of solutions to the self-destructive condition in which she finds mankind. Unite-- or be divided, robbed, ruled, killed By those who see you as prey.

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In his essay on the sociobiological backgrounds of Butler's Xenogenesis trilogy, J. Adam Johns describes how Butler's narratives counteract the death drive behind the hierarchical impulse with an innate love of life biophilia , particularly different, strange life. Butler's protagonists are disenfranchised individuals who endure, compromise, and embrace radical change in order to survive. As De Witt Douglas Kilgore and Ranu Samantrai note, her stories focus on minority characters whose historical background makes them already intimate with brutal violation and exploitation, and therefore the need to compromise to survive.

Butler's stories feature mixed communities founded by African protagonists and populated by diverse, if similar-minded individuals. Members may be humans of African, European, or Asian descent, extraterrestrial such as the N'Tlic in Bloodchild , from a different species such as the vampiric Ina in Fledgling , and cross-species such as the human-Oankali Akin and Jodahs in the Xenogenesis trilogy.

In some stories, the community's hybridity results in a flexible view of sexuality and gender for instance, the polyamorous extended families in Fledgling. Thus, Butler creates bonds between groups that are generally considered to be separate and unrelated, and suggests hybridity as "the potential root of good family and blessed community life". Butler's work has been associated with the genre of Afrofuturism , [37] a term coined by Mark Dery to describe "speculative fiction that treats African-American themes and addresses African-American concerns in the context of 20th-century technoculture".

As De Witt Douglas Kilgore and Ranu Samantrai explain in their memorial to Butler, while Butler does offer "an afro-centric sensibility at the core of narratives", her "insistence on hybridity beyond the point of discomfort" exceeds the tenets of both black cultural nationalism and of "white-dominated" liberal pluralism. Most critics praise Butler for her unflinching exposition of human flaws, which she depicts with striking realism. The New York Times regarded her novels as "evocative" and "often troubling" explorations of "far-reaching issues of race, sex, power".

The Project Gutenberg eBook of The Fledgling, by Charles Bernard Nordhoff

Scholars, on the other hand, focus on Butler's choice to write from the point of view of marginal characters and communities and thus "expanded SF to reflect the experiences and expertise of the disenfranchised". Butler has been praised widely for her spare yet vivid style, with Washington Post Book World calling her craftsmanship "superb". In interviews with Charles Rowell and Randall Kenan, Butler credited the struggles of her working-class mother as an important influence on her writing.

She bought her daughter her first typewriter when she was 10 years old, and, seeing her hard at work on a story, casually remarked that maybe one day she could become a writer, causing Butler to realize that it was possible to make a living as an author. Butler would pay more than a month's rent to have an agent review her daughter's work. A second person to play an influential role in Butler's work was American writer Harlan Ellison. As a teacher at the Open Door Workshop of the Screen Writers Guild of America, he gave Butler her first honest and constructive criticism on her writing after years of lukewarm responses from composition teachers and baffling rejections from publishers.

As the years passed, Ellison's mentorship became a close friendship. Butler began reading science fiction at a young age, but quickly became disenchanted by the genre's unimaginative portrayal of ethnicity and class as well as by its lack of noteworthy female protagonists.

Publishers and critics have labelled Butler's work as science fiction. The highlights are probing questions that arise out of Butler's personal life narrative and her interest in becoming not only a writer, but a writer of science fiction. Rose asked, "What then is central to what you want to say about race? Aside from, 'Hey we're here! In an interview by Randall Kenan, Butler discusses how her life experiences as a child shaped most of her thinking.

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As a writer, she was able to use her writing as a vehicle to critique history under the lenses of feminism. In the interview, she discusses the research that had to be done in order to write her bestselling novel, Kindred. Most of it is based on visiting libraries as well as historic landmarks with respect to what she is investigating. Butler admits that she writes science fiction because she does not want her work to be labeled or used as a marketing tool.

She wants the readers to be genuinely interested in her work and the story she provides, but at the same time she fears that people will not read her work because of the "science fiction" label that they have. In an interview with Joshunda Sanders, Butler commented on the space race and its influence on her work. She noted, "I think of the space race as a way of having a nuclear war without having one.

Butler admitted to being very confused by this idea, and said that it contributed to her idea for the Xenogenesis books. She said "there must be something basic, something really genetically wrong with us if we're falling for this stuff. She said, "[w]hat's made of biology is that the people who are in power are going to figure out why this is a good reason for them to stay in power. Look at the tests that show that women have better linguistic abilities: Yet, how many of our ambassadors are women?

How many of the politicians are women?

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This is not looked at; instead, the argument goes that women don't have the mathematical abilities So we're much more likely now to be penalized for whatever we're assumed not to have. We're much more likely to find that whatever little genetic thing that's discovered is going to be used against us. The adaptation's libretto and musical score combine African-American spirituals , soul , rock and roll , and folk music into rounds to be performed by singers sitting in a circle.

Kindred was adapted as a graphic novel by author Damien Duffy and artist John Jennings. The adaptation was published by Abrams ComicsArts on January 10, King's Macro Ventures, alongside writer Victoria Mahoney. This is the first time that Octavia Butler's work has been adapted for television.

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The Octavia E. Its goal is to provide an annual scholarship to enable writers of color to attend the Clarion West Writers Workshop and Clarion Writers' Workshop , descendants of the original Clarion Science Fiction Writers' Workshop in Clarion, Pennsylvania, where Butler got her start. The first scholarships were awarded in Butler Memorial Scholarship for students enrolled in the Pathways program and committed to transfer to four-year institutions.

Xenogenesis series. From Wikipedia, the free encyclopedia. Octavia E.

I began writing about power because I had so little. Why aren't there more SF Black writers? There aren't because there aren't. What we don't see, we assume can't be. What a destructive assumption. Who am I? I am a forty-seven-year-old writer who can remember being a ten-year-old writer and who expects someday to be an eighty-year-old writer. I am also comfortably asocial—a hermit.

Fledgling- The Shapeshifter Chronicles Book Trailer

A pessimist if I'm not careful, a feminist, a Black, a former Baptist, an oil-and-water combination of ambition, laziness, insecurity, certainty, and drive. To survive, Know the past. Let it touch you. Then let The past Go.